Extended data for Gender in Australian Films

Stored data
Gender in Australian Films
Code
BMI-ANGD17-CK10bE.100
ECTS
6
ISCED code
0231 Language acquisition
Language of instruction

English

Academic term
1/2
Title
Gender in Australian Films hu
Gender in Australian Films en
bibliography hu
Selected reading assignments: the relevant chapters from: ·         Coad, David. Gender Trouble Down Under: Australian Masculinities. Valenciennes, France: Presses Universitaires de Valenciennes, 2002. ·         French, Lisa, ed.  Womenvision: Women and the Moving Image in Australia. Melbourne: Damned Publishing, 2003. ·         Kuhn, Annette. Women’s Pictures: Feminism and Cinema. New York: Verso, 1994. ·         Lorber, Judith, and Susan A. Farrell, eds.  The Social Construction of Gender. Newbury Park, Calif.: Sage Publications, 1991. ·         Moran, Albert and Errol Vieth. Film in Australia: An Introduction. Cambridge: Cambridge University Press, 2006. Pomerance, Murray. Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century. Albany NY: State University of New York Press, 2001.
bibliography en
Selected reading assignments: the relevant chapters from: ·         Coad, David. Gender Trouble Down Under: Australian Masculinities. Valenciennes, France: Presses Universitaires de Valenciennes, 2002. ·         French, Lisa, ed.  Womenvision: Women and the Moving Image in Australia. Melbourne: Damned Publishing, 2003. ·         Kuhn, Annette. Women’s Pictures: Feminism and Cinema. New York: Verso, 1994. ·         Lorber, Judith, and Susan A. Farrell, eds.  The Social Construction of Gender. Newbury Park, Calif.: Sage Publications, 1991. ·         Moran, Albert and Errol Vieth. Film in Australia: An Introduction. Cambridge: Cambridge University Press, 2006. Pomerance, Murray. Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century. Albany NY: State University of New York Press, 2001.
courseContent hu
·         Introduction: Australian government guidelines on sex and gender ·         Intersex (Orchids: My Intersex Adventure) ·         What is a Woman’s Film? (The Dressmaker) ·         Gender and Violence (Once Were Warriors) ·         Gender and Religion (The Devil’s Playground) ·         Constructions of Motherhood (Evil Angels) ·         Versions of Masculinity and Gender Bending (Priscilla, Queen of the Desert) ·         Women and Work (My Brilliant Career) ·         Women and Sexuality (The Piano) ·         Aboriginality and Gender (The Sapphires) ·         „She-Devils on Wheels” (Mad Max: Fury Road) ·         Crosscultural Gender Issues (Japanese Story)
courseContent en
·         Introduction: Australian government guidelines on sex and gender ·         Intersex (Orchids: My Intersex Adventure) ·         What is a Woman’s Film? (The Dressmaker) ·         Gender and Violence (Once Were Warriors) ·         Gender and Religion (The Devil’s Playground) ·         Constructions of Motherhood (Evil Angels) ·         Versions of Masculinity and Gender Bending (Priscilla, Queen of the Desert) ·         Women and Work (My Brilliant Career) ·         Women and Sexuality (The Piano) ·         Aboriginality and Gender (The Sapphires) ·         „She-Devils on Wheels” (Mad Max: Fury Road) ·         Crosscultural Gender Issues (Japanese Story)
assessmentMethod hu
Assessment of the course will be based on: a)      Attendance, participation b)      short presentation on a selected topic c)      seminar paper (8-10 pages) d)      viewing journal
assessmentMethod en
Assessment of the course will be based on: a)      Attendance, participation b)      short presentation on a selected topic c)      seminar paper (8-10 pages) d)      viewing journal