Extended data for The Patient Text: Shakespeare adapted in theory and practice

The Patient Text: Shakespeare adapted in theory and practice

Institution

Eötvös Loránd University

Related programme

English Applied Linguistics

Code

BMI-ANGD17-CI3aE.07

ECTS

3

ISCED code

0231 Language acquisition

Language of instruction

English

Academic term

1/2

Title

The Patient Text: Shakespeare adapted in theory and practice hu

The Patient Text: Shakespeare adapted in theory and practice en

Irodalom/ Tentative Literature: Daniel Fischlin and Mark Fortier: Adaptations of Shakespeare Thomas Leitch: The Oxford Handbook of Adaptation Studies Julie Sanders: Adaptation and Appropriation Linda Hutcheon: The Theory of Adaptation Barker, Howard: Gertrude, the Cry; 7 Lears; Blessing, Lee: Fortinbras Bottomley, Gordon: King Lear’s Wife, Gruach Enyedi Éva: Lear halála http://csokonaiszinhaz.hu/eloadasok/enyedi-eva-lear-halala/ Feinstein, Elaine and the Women’s Theatre Group: Lear’s Daughters Greig, David: Dunsinane Háy János: Ophelie Kállay Géza: A Lear király és holdudvara Kiss Csaba: Hazatérés Dániába Stoppard, Tom: Rosencrantz and Guildenstern are Dead Tate, Nahum: King Lear Závada Péter & Örkény Színház: Kertész utcai Shaxpeare-mosó  https://www.orkenyszinhaz.hu/hu/musor/kertesz-utcai-shaxpeare-moso Such Tweet Sorrow http://www.bleysmaynard.net/suchtweet/ https://twitter.com/such_tweet

Irodalom/ Tentative Literature: Daniel Fischlin and Mark Fortier: Adaptations of Shakespeare Thomas Leitch: The Oxford Handbook of Adaptation Studies Julie Sanders: Adaptation and Appropriation Linda Hutcheon: The Theory of Adaptation Barker, Howard: Gertrude, the Cry; 7 Lears; Blessing, Lee: Fortinbras Bottomley, Gordon: King Lear’s Wife, Gruach Enyedi Éva: Lear halála http://csokonaiszinhaz.hu/eloadasok/enyedi-eva-lear-halala/ Feinstein, Elaine and the Women’s Theatre Group: Lear’s Daughters Greig, David: Dunsinane Háy János: Ophelie Kállay Géza: A Lear király és holdudvara Kiss Csaba: Hazatérés Dániába Stoppard, Tom: Rosencrantz and Guildenstern are Dead Tate, Nahum: King Lear Závada Péter & Örkény Színház: Kertész utcai Shaxpeare-mosó  https://www.orkenyszinhaz.hu/hu/musor/kertesz-utcai-shaxpeare-moso Such Tweet Sorrow http://www.bleysmaynard.net/suchtweet/ https://twitter.com/such_tweet

During the classes we will focus mainly on four well-known tragedies of Shakespeare: Romeo and Juliet, Hamlet, Macbeth, King Lear. The primary texts will be supported not only with apt and extensive theoretical background, but also with additional intermedial content, such as theatre performances, fine arts, film, music and other artforms, which will possibly make the classes more intriguing and colourful. The class will be mostly interactive, and apart from in-class discussions we are also going to use Canvas as a platform to share and discuss material.

During the classes we will focus mainly on four well-known tragedies of Shakespeare: Romeo and Juliet, Hamlet, Macbeth, King Lear. The primary texts will be supported not only with apt and extensive theoretical background, but also with additional intermedial content, such as theatre performances, fine arts, film, music and other artforms, which will possibly make the classes more intriguing and colourful. The class will be mostly interactive, and apart from in-class discussions we are also going to use Canvas as a platform to share and discuss material.

Active in-class participation; presentation or essay; no more than three absences;

Active in-class participation; presentation or essay; no more than three absences;